Spent last week in Vegas doing research work for the annual update of The Unofficial Guide to Las Vegas (fifth year running). A shorter trip than usual, which was both good and bad ... didn't see Penn & Teller but got to miss out on Elton John, for example. The rundown:
Myself and the Girlfriend Attorney hit town about 3 pm, rented our Hertz hoopty and headed off to the Westin Casuarina, our home for the week. The place has decent rooms and is about half a block from the Strip. It's not Vegas glamorous by any means, but our options were limited by Final Four frenzy (some other researchers bunked at the Plaza downtown, an old Vegas queen now quite down at the heel). After stowing baggage, we went downtown ourselves to meet the bossman at the California's Redwood Bar & Grill, an old-Vegas gourmet room.
One steak and a few glasses of wine later, the GA begged fatigue and was dropped off at the hotel (so lucky), while I was forced to accompany the boss to see Havana Night Club at the Stardust. This show is filling in for Wayne Newton and seems to be doing quite well; in fact, the dancers are good, and the 13-piece band is better. But like most of these shows, the downfall is the hideous Dr.-Moreau-style grafting of a pointless theme or storyline atop the musical. In this case, Havana Night Club attempts to tell the musical story of Cuba, and it starts with some kind of proto-jungle where the beat of the island was "born." There's lots of dancing in skimpy Road Warrior outfits and little explanation ... the jungle-beat people don't appear to be slaves or colonizing Spaniards (the dancers come in all colors), so who knows what the deal is. Anyway, this era is finally dispensed with, and what follows is solid flamenco and samba and cha cha cha and so on, all the way to a Latin-techno dance party. Ended up not a bad show, though it seemed like several of the dance numbers lasted forty minutes apiece. Rumor has it that most if not all of the ensemble are Cuban exile asylum seekers; I personally enjoyed the little old Cuban lady who kept shouting "Viva Cuba! Muerte al Castro!"
The next day and afternoon were spent planning research and waiting for other researchers to arrive. Myself and the GA bummed around the Strip, as she'd never been to the city before and justly wanted to gawk. Later we met up with the boss and the new fish for another gourmet room dinner, this time at Roberta's at the venerable downtown El Cortez, the oldest continuously operating casino in town. Another night, another steak, though not as good as the Redwood ... not surprising, since El Cortez is a bit isolated and shabby even for downtown. The GA and I bid the rest farewell and went out for night work.
First up was a show at the doomed Aladdin, soon to be Planet Hollywood: Fashionistas, a high-concept piece of fluff about fetish fashion. It's a very sexxxy show, though not topless. Bankrolled by its porn-director auteur, it has high production values and a convoluted plot that involves bondage and hidden DVD features. But there's no dialogue! I can't tell you how grateful I was for that. Plus the music was better than most Vegas shows, let alone most Vegas sex/topless shows. It likely is making nowhere near enough money, nor is it likely to survive the crushing force of P-H'y'wd, but it was amusing and novel while it lasted. The GA was appalled, and in retrospect this was probably not the best choice for her first Vegas show...
Then it was on to nightclub reviews. First was Vivid at the Venetian, a sad and empty dance club that was all too similar to the sad and empty tiki bar it replaced. Tucked away in a frontage corner with no access to the mall or casino and no visibility from the Strip, they might as well turn this spot into a broom closet. Then it was off to Tangerine at Treasure Island. Formerly the Buccaneer Bar, this spot was best used as a vantage to watch the pirate battle out front. But now it's an uppity and admittedly pretty dance palace, and the crushing crowds and huge line made me very glad we were on the door list (thank YOU, publicity department). Seemed like a fun place, but you'd better make the most of each time you manage to fight your way to the bar. Supposedly has "speakeasy style" burlesque, but none was on offer by 11:30 pm anyway.
I spent the next day doing hotel work, which involves driving around and reviewing new and renovated hotels. The less said about that the better (the GA spent the day at the spa). Fortunately we had two teams working hotels this year, so I had less to worry about. We finished off both sides of the Strip in one day. That night, the GA and I set off once more for downtown to see if we could cobble together a touring plan from various lounge acts. Not much luck really, as fewer and fewer lounges even operate regularly anymore. We did see a few mediocre bands and one terrible Elvis impersonator, though I was more taken with the ad for the late-night Russian stud-show at Fitzgeralds ("A Russian invasion of sensual proportions"). I like the idea of classifying strippers by nationality, and it only makes sense now that there are two shows highlighting the indigenously erotic capacities of Australians.
More club work that night, both at Mandalay Bay. The first we visit is Mix, set atop the chi-chi hotel-within-a-hotel THEhotel. Normally I cringe when asked to pay a $20 cover, even though I get reimbursed for this kind of work. But Mix is worth it. The room itself is extremely pretty and well designed, but the kicker is a jaw-dropping view right over the adjacent Luxor pyramid right into the heart of the Strip. Floor-to-ceiling glass, with balcony for the brave. After Mix, the other Mandalay newcomer, Forty Deuce, failed to impress ... so much so that we didn't even realize there's apparently yet another burlesque show that takes place in another room of the club. Oh well.
The next day, I kidnapped the GA and forced her to endure more hotel work, as I took care of straggler properties located far afield. Then we dipped over to Red Rock Canyon National Conservation Area, one of my favorite ways to decompress Vegas stress. But then we had to stagger over to the Stratosphere so I could try out Insanity, their latest top-of-the-tower thrill ride. It's a retractable claw holding ten chairs that it dangles and spins off the top of the tower. The line was ridiculous, so I just ended up waiting long enough to get a good idea of how things worked, and we bailed. Looked vertiginously fun and horrifying, though.
That night we had two shows, the first being Forbidden Vegas at our very own Westin. I was prepared for this to be truly awful, but it ended up being quite funny, though in a somewhat startling and overbearing way. The performers seemed not to care that they were in a tiny showroom of a third-tier chain hotel, and several had some of the best voices I've heard anywhere in Vegas. I suspect a lot of the Vegas-mocking might be a little inside baseball for some showgoers (even I was unable to catch all the references to Steve Wynn's business dealings), but it was good to have my pre-show disappointment disappointed. Afterward, we were supposed to go take a look at Pure, the new elite club at Caesar's Palace, but even our publicist powers couldn't get us on the list, and we were assured that it would be list-only while the basketball crowds were in town. So, we delegated an escorted pre-opening visit to other researchers, and instead moseyed over to Treasure Island to see Mystere.
This was a civilian outing, as it's one of my favorite shows. What can I say, I'm a Cirque du Soleil nerd. But here's a funny: while jockeying to keep all the right dates straight, I'd inadvertently bought tickets for the week before! Har har har! But not only did the nice Cirquers automatically refund my charge when I didn't show previously, but, now that I was here with my sad puppy dog face and pitying girlfriend, they let us have some unallocated high-roller tickets for the same price. So, we went from fairly high in the nosebleed section to six rows back from the stage, center. My stupidity reaps dividends once again. Show was predictably excellent, and the GA was duly amazed.
The next day was our last, though our flight didn't leave until 11:30 pm. So, we took the opportunity to drive out to Death Valley, which is experiencing a historic floral bloom due to freakishly heavy rainfall. Truly awe-inspiring scenery out there, and I never once felt like crawling around on the desert floor, gasping for my last cracklin' breath. (Odd note: in the tiny desert town of Shoshone, the only restaurant was a tiny shack that served ... crepes? and Havarti cheese platters? never mind.) After we got back to town and enjoyed a bit more Strip wandering, we adjourned to the airport, only to find our flight delayed three hours. We elected to stick around in case things improved, and spent a nice time dozing on the floor in front of gate A15. Managed to get finally back to my apartment in NYC about noon the following day, then slept for five hours like a dead corpse baby under a rock and log pile.
And I didn't even play any blackjack. The supposedly level-headed Girlfriend Attorney got really into the slot machines, though. Regardless, there are lots of pretty pictures, mostly of the great outdoors. Until next year, when the Wynn is finally open and Kà isn't temporarily dark ...